This post is a continuation of the series dedicated to Black History topics, which resumes with a discussion of Dr. Katherine Dunham. I will start by saying that this blog post will not and cannot cover the full extent and breadth of her achievements, and readers are encouraged to read through the listed references (at the bottom of this post) to gain a full appreciation of her works and accomplishments. I do not think any one source can do justice to Katherine Dunham, who is rightly identified as an institution herself, but this post will highlight many of her most notable successes.
Katherine Mary Dunham was born in 1909 in Chicago to a Black father and a French-Canadian of Indigenous descent mother. She grew up in northern Illinois, where she was introduced to the arts and later anthropology when she attended a lecture at the University of Chicago. It was here that she was inspired to study the field, focusing her research on the anthropology of dance. Throughout her educational career, to which she earned a Bachelors, Masters, and Doctorate in anthropology, she studied anthropology and dance, using these opportunities to not only learn dance techniques of various African diasporas but also the motivations and meanings behind those dances.
Dunham used her anthropological and dance knowledge to form the first African American dance company in Chicago, which led to greater opportunities not only for herself but the African American dancers and associated crew members. Her company performed at the Chicago World’s Fair, as well as toured across the United States, Europe, Latin America, and elsewhere globally. Dunham also opened the first African American dance school in Chicago, which later led to the opening of a dance school in New York City. It was here where she trained some of Hollywood’s most elite performers, including Eartha Kitt, Marlon Brando, Julie Belafonte, and James Dean. Dunham went on to choreograph various dances and stage productions, all derived from the African diaspora dances she learned throughout the Caribbean and Latin America. These were choreographed for stage productions and Hollywood produced films. She is credited with using dance to elevate the status of Afro-Caribbeans and Afro-Latinos, as well as exposing white audiences to African diaspora cultures.
Aside from being a world-renowned dancer Dunham used her fame to speak out against human rights injustices. While touring with her dance company, which employed a large number of African American dancers and crew members, she refused to perform at venues that discriminated against Blacks. At one venue she announced that their performance was a one time deal due to the treatment of Black audience members by the management. These advocacy interventions continued even after desegregation occurred as Dunham went on a hunger strike in the early 1990s to protest the treatment of Haitian refugees in the United States. She was in her 80s at this time.
Dunham is also known for authoring nine books in anthropology, as well as a series of articles published in popular magazines and scholarly publications. She was a widely invited speaker at anthropology associations across the United States. She is also credited with forming anthropology of dance programs at both Southern Illinois University-Carbondale and Edwardsville. It was at the latter institution that she focused on using the arts to encourage local youths away from deviance and gang lifestyles. Her work earned her many accolades, honorary doctorates, and awards.
Dunham passed away in 2006 at the age of 96, leaving behind a magnificent legacy in both dance and anthropology. She will be forever known for her achievements, as well as her passion for racial equality and equity for African Americans, Afro-Caribbeans, and Afro-Latinos both domestically and abroad.
References
Cooper, Lily. "Who is Katherine Dunham?" 15 July 2019. Grand Canyon University. Electronic. 9 December 2020.
Library of Congress. Katherine Dunham Timeline (Library of Congress). No Date. Electronic. 9 December 2020.
Unknown. KDCAH - Katherine Dunham Centers for Arts and Humanities. 2011. Electronic. 9 December 2020.
—. The History Makers. 2020. Electronic. 9 December 2020.
6 comments:
I have never heard of Dr. Katherine Dunham but I am glad that I have now. I now know that without pioneers like her the today's widespread black dance style and community wouldn't exist today. If she had let the Afro-dance style die we wouldn't have west African style dance teams and forms of dance like hip hop majorette that derive from them today.
-Gavin G
I love Katherine Dunham. I was introduced by her techniques at a early age. Also, I am from the same neighborhood that Katherine Duhman grew up in which is East St. Louis, Illinois. Ever since I was taught her techniques at dance school, I have been using them for years now. I didn’t know that she was an Anthropologist. Katherine Duhman is a interesting lady.
AJ Moore
Katherine Dunham is very familiar in my city. Where she is actually from East Saint Louis, Illinois. We actually used to have a school named after her maybe 30 years ago. It is unfortunately closed down due to the fact my city could no longer find the school anymore. I did know that she danced but I did not know that she was an anthropologist.
-Jasmine Hill
I have heard of Katherine Dunham but did not much about her before reassign this. I’m not a dancer but I love reading about how she opened opportunities for black dancers and gave us the representation we need. I feel like this article did a good job at introducing Katherine in a very interesting way.
I find it so interesting how many things can be incorporated in anthropology. Never would I have imagined someone doing research on the anthropology of dance. It was also quite inspiring to read that Katherine Dunham is identified as an institution herself.
-Jayla Templeton
I didn't know about Katherine Dunham yet didn't much with regards to her before reassign this. I'm not an artist but rather I love learning about the way in which she opened open doors for dark artists and gave us the portrayal we really want. All i really knew was she was born close to my hometown and she use to have an school there as well.
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