Anyone from southern Illinois will tell you their share of
local ghost stories and monster mythos.
One of the most pervasive would probably be the legend of the Piasa Bird,
which is the topic of today’s blog. This
post will briefly discuss the history of the Piasa Bird painting, as well as
the legend associated with the painting.
Very little is known about the Piasa Bird due to the lost history of
many indigenous groups of the region, but what is known will be addressed
herein.
| Artistic Depiction of the Piasa Bird (Google Images) |
The Piasa Bird is a mythical creature, described as a
conglomeration of bird, reptile, mammal, and fish (Figure 1), which is
memorialized as a large painting along the bluffs of the Mississippi River
outside of the city of Alton and Pierre Marquette State Park. This great creature was first reported by
Father Jacques Marquette, who stumbled upon a large, carved, and painted motif
of the creature along the Mississippi River.
He later reported that it was a legendary creature associated with the
Illini indigenous group. The current
illustration is one of several reproductions that have been created over the
years as the original, believed to have been created by the Illini, was
destroyed through quarrying efforts.
The term Piasa Bird is believed to mean “the bird that devours men" or
"bird of the evil spirit". It
received this name based on the legend connected to it. According to a legend that is associated with
author John Russel, the Piasa Bird was a creature that terrorized the Illini
suddenly and without warning. The chief
of the Illini, Ouatoga, had survived many hardships over his lifetime, but all
of his efforts failed against the Piasa Bird, which was systematically killing
off the young men of the village. He
prayed and fasted under a full moon, and he received guidance from the Great
Spirit. The Great Spirit informed
Ouatoga that the Piasa Bird had a weakness under its wing that could be pierced
with an arrow. Ouatoga turned to Tera-hi-on-a-wa-ka,
a great craftsman known for his skill in creating great weaponry, to fashion
several sharp arrows, and Ouatoga commissioned six of the best warriors to lay
a trap for the Piasa Bird. Ouatoga
provided himself as bait, and the creature happily fell for the ruse. While it was distracted from its attack on
Ouatoga the six warriors slew it, saving the Illini from the terror of the
Piasa Bird forever. Ouatoga, however,
was mortally wounded, and it took him several months of constant care to be
nursed back to health.
Tera-hi-on-a-wa-ka commemorated the victory by carving and painting an
image of the Piasa Bird into the cliffs.
This painting, which is the one that Father Marquette happened upon
years later, included vibrant colors of red, black, and green, representing war
& vengeance, death & despair, and triumph respectively.
References
Bauser, B. No
Date. “The Piasa Bird.” The Madison County ILGenWeb. http://madison.illinoisgenweb.org/piasabird.html
Brewster, PG. "The Piasa Bird: A Legend of the Illini." Hoosier Folklore Vol. 8, No. 4 (Dec., 1949), pp. 83-86
No Author. 2015. “The Legend of the Piasa Bird.” Illinois Department of Natural
Resources. https://dnr.state.il.us/lands/landmgt/parks/r4/prm/piabrd.htm
No Author. No Date. “Indigenous
Peoples’ Literature: Legend of the Piasa.”
Indians.org. http://www.indians.org/welker/piasa.htm
No Author. No Date. “Piasa Bird.” Alton Web: The River Bend. http://www.altonweb.com/history/piasabird/
Peithmann, I."Pictographs and Petroglyphs in Southern Illinois." Journal of the Illinois State Archaeological Society NEW SERIES, Vol. 2, No. 4 (APRIL 1952), pp. 91-94
Temple, WC. "The Piasa Bird: Fact or Fiction?" Journal of the Illinois State Historical Society (1908-1984) Vol. 49, No. 3 (Autumn, 1956), pp. 308-327
Voelke, FE. "The Piasa." Journal of the Illinois State Historical Society (1908-1984)
Vol. 7, No. 1 (Apr., 1914), pp. 82-91

