Saturday, March 26, 2016

Spotlight on Students: Race Essay



The following post features exemplary work from one of my Anth 102: Introduction to Physical Anthropology students.  For this assignment students were tasked with analyzing the lack of biological evidence to support notions of race perpetuated by modern societies and cultures. Please acknowledge her hard work by letting her know how well she did and how much you enjoy her work.  :)


By: Heather Lindenberg


The concept of race has become a social construct that has been changed throughout history due to new and old social norms. Race is primarily looked at by biologists and anthropologists as human variation. Human variation is able to debunk the idea of race as one looks at the biological factors, which include melanin production, eugenics, and the vitamin D hypothesis.

To start off the deconstruction of race, one first needs to know the differences between race and ethnicity. In the AAA Statement on Race , the American Anthropological Association has stated that race in America has been frequently defined as, natural and separate divisions within the human species based on visible physical differences (AAA 1). This statement is debatable because when Americans think of race, they tend to think of skin color, face shape, hair color, eye color, nose shape, and even hair texture than look at race from a biological standpoint. Society from before World War II has constructed this false idea and is still confused with the real definition today. From a biological standpoint, race is entirely a matter of adaptation to different environments, genetics, and culture.  Ethnicity, however, can be referred as an individual respectively distinguishing with a similar social, cultural, or ancestral group. (AAA 1). Ethnic groups are defined by common beliefs, religion, habits, language, geography, kinship, and history. Race and ethnicity are easily confused. The main  difference is race is a biological/environmental adaption, while ethnicity is a social group one distinguishes with because of a common cultural history.

I will now start off with a major piece of evidence, which is melanin production. Melanin is essentially a built in sunscreen that absorbs harmful UV rays. Better said in Gina Kirchwegers article The Biology of Skin Color: Black and White , melanin can be describes as, the main determinant of skin color, to absorb or disperse ultraviolet light (Kirchweger 1). Melanin can leave temporary or permanent effects on the human skin. Getting a tan in the summer is one example of temporary melanin production. While a permanent effect of melanin production can be skin cancer and more importantly a genetic effect that leaves the skin permanently darker due to the environment. If one experiences almost constant sun exposure, from living near the equator, his/her skin becomes darker in generations to help aid in survival. If one were to live in the north where there is hardly any sun exposure, dark skin would be unnecessary because one does not need as much sunscreen as someone who lives near the equator. Skin color is a major physical component most often confused with race. The production of melanin is biological evidence toward the confusion that race is not only based on skin color. Melanin is the scientific cause for why skin color divides people and has introduced specific categories for skin tones.  This brings up a lot of racism and misconception for ones identity based on an individual's skin.

The next step in deconstructing race is the social issue of eugenics. Eugenics is better explained by Dr Jerry Bergman in his article A Brief History of the Eugenics Movement.  Bergmans definition of eugenics is best described as,the science of improving the human race by scientific control of breeding (Bergman 1). Eugenics was once used to scientifically" excuse racism because it was a way to treat those with negative traits with inequality due to the attempt to breed those who have the most positive traits. This was and is a major influence toward the misconceptions of race because it made people from early ages believe certain traits and aspects of a person were wrong or less superior. People who found themselves to be more superior than others were mostly northern Europeans. They believed how they looked and acted was more beautiful and intelligent than any other individuals. As this idea built, it made race become more of a social misconception and still shows signs of this to this day.
The last piece of evidence that will deconstruct race would be evidence of vitamin D production in different variations of people. When thinking of vitamin D, it is thought mostly in ones childhood, which is true. Without enough vitamin D, it can result in rickets, which is described in Lynn Kilgores book, Introduction to Physical Anthropology , a condition that leads to skeletal deformities, especially in weight bearing bones of the legs and pelvis (Kilgore 418).  What vitamin D has to do with race and human variation is that UV ray exposure is necessary for vitamin D production.  Evidence shows that those with darker skin tones actually have a harder time breaking down vitamin D, while those with lighter skin have bodies which substantially supports vitamin D (Kilgore).  Vitamin D is evidence that race exists on more than phenotypes/physical appearance, but also exists in genetics. Linking melanin production and vitamin D debunks the concept that race is all visual.

Eugenics could potentially make the most superior breed of humans although race and skin color does not justify what is superior or not. Race in modern society has become a concept of how  someone looks is assumed, defined, and grouped incorrectly. Race is a biological misconception and the truth is, race is based more on genetics than looks. An individual may have ancestors located close to the equator but if their genetics do not provide evidence of say a lack of vitamin D (which is widely common in Africans), it may mean that they do not have a specific African background. Race is a part of being culturally diverse and the assumptions of ones race by visuals has led to slavery and even the Nazi movement. Race is not a myth; it is a biological misconception based on phenotypes. The next time I assume someone is from a certain part of the world, I will stand back and clear my mind from assumptions before I actually ask this person about their ancestral background.

Resources

AAA. "AAA Statement on Race." Connectwith AAA . American Anthropological Association,
2016. Web. 02 Mar. 2016.

Bergman, Jerry. "A History of the Eugenics Movement." A History of the Eugenics Movement .
Investigator 72, May 2000. Web. 02 Mar. 2016.

Kilgore, Lynn. Introduction to Physical Anthropology . 20132014 ed. Belmont: Yolanda Cossio,
2014. Print.

Kirchweger, Gina. "The Biology of Skin Color: Black and White." PBS . PBS, Feb. 2001. Web.
02 Mar. 2016.

Saturday, March 19, 2016

Ostara: Pagan Festival of Spring

Artistic Representation of Ostara.  Artist Unknown.  (Google Images)

Several religions mark the passing of spring through a variety of holidays: the Hindu have Holi, the Jews have Purim, the Sikhs have Hola Mohalla, the Christians have Easter, and Neopagans have Ostara.  Ostara is known as a celebration of spring, and it is one of eight major holidays celebrated by Neopagans throughout the year.  This holiday is marked on the Spring Equinox, meaning it does not have a set date, but it does have consistent symbols and means of celebration.  Today's blog post will discuss the origins of Ostara, its meaning, as well as how it is celebrated by Neopagans across the globe.

The term Ostara is believed to have been derived from Old Germanic languages and means "to shine".  It is associated with ancient Germanic traditions that involved celebrating the Spring Goddess or the Goddess of the Dawn who blessed the world by changing the seasons and initiating new life and growth on earth.  Some claim that Ostara is actually a Celtic or Saxon holiday, but it appears that they adopted the traditions from the Germanic groups they came in contact with.  The holiday was spread throughout Europe and celebrated for centuries prior to the adoption of Christianity.

Today, the old traditions have been revived in various ways. The holiday is associated with spring, and it is connected to notions of fertility, growth, and renewal.  Neopagans decorate their altars with spring time flowers, eggs, rabbits, and seeds.  It is believed that this holiday is the best time to plant crops, make amends with the past, as well as conceive children.

There are various ways that Neopagans celebrate Ostara.  Some opt to decorate eggs, while others elect to plant gardens or fields.  Others choose to take nature walks or hikes, while others opt to clean their proverbial or literal homes, clearing out the old to welcome in the new.  There is no one way of observing the holiday that is considered paramount, and how a Neopagan chooses to celebrate Ostara is an individual choice.  Although many Neopagans opt to celebrate this in their own individual ways the end of the evening is typically marked with a great feast of foods emphasizing seeds, dairy, and eggs.  The coming together is a typical theme in many pagan holidays, which is consistent in many religious celebrations.

References Cited

HuffPost Religion Editors.  2015.  “Ostara 2015: Facts And Traditions Of The Wiccan Spring Equinox Celebration.”  Huffington Post.  http://www.huffingtonpost.com/2015/03/19/ostara-2015_n_6895952.html

Robinson, BA.  2012.  “Easter: Its Pagan Origins.”  Religious Tolerance: Ontario Consultants on Religious Tolerance.  http://www.religioustolerance.org/easter1.htm


Springwolf, DD.  2013.  “The History of Ostara-The ‘Spring Equinox’.”  Springwolf Reflections.  http://springwolf.net/2013/03/19/ostara-the-spring-equinox/

      

This post is dedicated to my former and current Neopagan students who have honored me by sharing their religious views and experiences with me.  Thank you and blessed be.  :)


Saturday, March 12, 2016

The Ultimate Bird of Prey: The Legend of the Piasa Bird, a North American Monster



Anyone from southern Illinois will tell you their share of local ghost stories and monster mythos.  One of the most pervasive would probably be the legend of the Piasa Bird, which is the topic of today’s blog.  This post will briefly discuss the history of the Piasa Bird painting, as well as the legend associated with the painting.  Very little is known about the Piasa Bird due to the lost history of many indigenous groups of the region, but what is known will be addressed herein.

Artistic Depiction of the Piasa Bird (Google Images)

The Piasa Bird is a mythical creature, described as a conglomeration of bird, reptile, mammal, and fish (Figure 1), which is memorialized as a large painting along the bluffs of the Mississippi River outside of the city of Alton and Pierre Marquette State Park.  This great creature was first reported by Father Jacques Marquette, who stumbled upon a large, carved, and painted motif of the creature along the Mississippi River.  He later reported that it was a legendary creature associated with the Illini indigenous group.   The current illustration is one of several reproductions that have been created over the years as the original, believed to have been created by the Illini, was destroyed through quarrying efforts.

The term Piasa Bird is believed to mean “the bird that devours men" or "bird of the evil spirit".  It received this name based on the legend connected to it.  According to a legend that is associated with author John Russel, the Piasa Bird was a creature that terrorized the Illini suddenly and without warning.  The chief of the Illini, Ouatoga, had survived many hardships over his lifetime, but all of his efforts failed against the Piasa Bird, which was systematically killing off the young men of the village.  He prayed and fasted under a full moon, and he received guidance from the Great Spirit.  The Great Spirit informed Ouatoga that the Piasa Bird had a weakness under its wing that could be pierced with an arrow.  Ouatoga turned to Tera-hi-on-a-wa-ka, a great craftsman known for his skill in creating great weaponry, to fashion several sharp arrows, and Ouatoga commissioned six of the best warriors to lay a trap for the Piasa Bird.  Ouatoga provided himself as bait, and the creature happily fell for the ruse.  While it was distracted from its attack on Ouatoga the six warriors slew it, saving the Illini from the terror of the Piasa Bird forever.  Ouatoga, however, was mortally wounded, and it took him several months of constant care to be nursed back to health.  Tera-hi-on-a-wa-ka commemorated the victory by carving and painting an image of the Piasa Bird into the cliffs.  This painting, which is the one that Father Marquette happened upon years later, included vibrant colors of red, black, and green, representing war & vengeance, death & despair, and triumph respectively. 

References
 
Bauser, B.  No Date.  “The Piasa Bird.”  The Madison County ILGenWeb.  http://madison.illinoisgenweb.org/piasabird.html


Brewster, PG.  "The Piasa Bird: A Legend of the Illini." Hoosier Folklore Vol. 8, No. 4 (Dec., 1949), pp. 83-86

No Author.  2015.  “The Legend of the Piasa Bird.”  Illinois Department of Natural Resources.  https://dnr.state.il.us/lands/landmgt/parks/r4/prm/piabrd.htm


No Author.  No Date. “Indigenous Peoples’ Literature: Legend of the Piasa.”  Indians.org.  http://www.indians.org/welker/piasa.htm

No Author.  No Date.  “Piasa Bird.”  Alton Web: The River Bend.  http://www.altonweb.com/history/piasabird/


Peithmann, I."Pictographs and Petroglyphs in Southern Illinois." Journal of the Illinois State Archaeological Society NEW SERIES, Vol. 2, No. 4 (APRIL 1952), pp. 91-94

Temple, WC.  "The Piasa Bird: Fact or Fiction?" Journal of the Illinois State Historical Society (1908-1984)  Vol. 49, No. 3 (Autumn, 1956), pp. 308-327 
Voelke, FE.  "The Piasa." Journal of the Illinois State Historical Society (1908-1984)
Vol. 7, No. 1 (Apr., 1914), pp. 82-91